雪梨公寓

4 night stay for Vivid. Chose this as an Accor member and that it was close to the Harbour. Upgraded to a Prestige Suite, Club benefits and was not disappointed. Yes the building is not new, it’s not like the shiny new hotels in town, but it’s solid and my sleeps were uninterrupted and rarely heard noise from the hall. My Suite 930 was spacious, clean, well appointed, Sofitel Bed topper and electric sockets to plug in my adapters to charge. Like other reviews no USB ports but I’m sure most sensible travellers have an adapter. The Club Sofitel access was the perfect addition. Early check-in and waited with a hot tea while my suite was made up. It was 9:30am but the room was rushed and 30 minutes later I was unpacking. Evening canapés and drinks from 5:30pm. Table drink service by Alley and her dedicated, personable, attentive team. They remember your preferences pretty quickly and it became an oasis from Vivid hoping and sightseeing. My suite completely blocked out the light and slept through 2 alarms, it’s the Sofitel Bed topper. Breakfast at Club Sofitel, peaceful, plenty of options to choose from, salmon and capers to a great gluten free station, eggs cooked to order and a great way to start the day. Try the Dilmah Blood Orange and Eucalyptus tea. Thanks Lara. Afternoon Tea served from 2:30 and daily sandwiches , scones, cakes and complimentary drinks, tea, coffee and soft. On entering the Club Lounge, always a friendly greeting, your preferred drink served and a relaxing space anytime of the day. The Club team really made my stay, they work really hard to make your stay great. Housekeeping always made up my room before my afternoon return. Always a Bonjour as you walked past them in the hall. My stay was great. All the staff were friendly and helpful. The Lobby is grand and the history of this hotel makes her great. Not the newest but I prefer tradition and good honest service. Definitely not the style of hotel for everyone but my expectations were met and exceeded beyond imagination. Club Sofitel is a must. ⭐️⭐️⭐️⭐️⭐️

一個七層的老式建築，看出來近年有新裝修。 房間內的設計比較復古，一些傢俱看起來...有點陳舊... 房間很寬敞，客廳和衞生間都有很大空間。 工作人員很熱情，可以説是有求必應。 注意:衣櫥旁邊的零食和小冰箱裏的飲品都是需要另付費的。 總體來説，體驗尚可。但是考慮到這是個五星級酒店，性價比不算高。和其他同等級的酒店相比，很難説它有什麼獨特的優勢。

酒店位置非常優越，從悉尼機場到達後乘坐T8（不需換乘）即可步行距離抵達。酒店周邊商場眾多，逛街咖啡餐飲可選豐富。 住店客人的Heritage Tour非常值得花90分鐘參與，Vickie的講解很生動且故事性強。 房間是鐘樓view，每一刻鐘、正點都有報時。房間打掃及時整潔。

因為是熱門的跨年時段，一房難求，訂房時網站顯示是優惠價格，當時比價確實價格較低，但後來發現貴非常多！但飯店的服務態度與房間整潔都不錯，還算是不錯的回憶，就當是學到一課。住宿附近非常方便，距離火車站輕軌5分鐘內均可到達，離達令港更是進，也是因為如此，才會選擇這間飯店，跨完年，不需為回飯店交通擔心，走路即可順利安全回到飯店，早早休息。對面就是星巴克，附近也有許多餐廳可以選擇，離超市也很近，下次有機會還是會再次入住。

服務：南半球最佳索菲特名不虛傳 矬子裏的將軍也應稱之為將軍 在澳大利亞這種沒服務的地方已經是非常可圈可點的存在了 衞生：衞生到位 次級酒店會出現的衞生死角在這裏不存在 環境：正對達令港 房間和酒廊都可飽覽瓊斯灣的絕佳風景 角房的景色已經夠好 上套房其實沒什麼必要 餐飲：酒廊平日出品小食 用料考究 選擇豐富 下酒一絕 補菜超快 菜色住了五天天天不重複 其中第五天更是硬菜連連 36mm車釐子 塔斯馬尼亞生蠔 黃油菠蘿烤火腿 松露羅勒醬意麪 清燉甜蝦甚至都是剝好了殼的 很推薦體驗

酒店位置離碼頭較近，走路大概15分鐘。酒店對面有一個便利店，買點小東西和吃的很方便。我們定的這間酒店的房間能看到碼頭，但是房間比較小，衞生間的大小還可以，沒有拖鞋，沒有梳子這些東西，淋浴花灑固定在牆上，洗澡水像澆花的噴淋頭。忘記拍房間照片了，隨便找的一張圖片，不是這個房間看出去的景色哦。

I m grateful for the upgraded room for my birthday ..I appreciate the Prosecco Check in was slow .. 20 minutes in a queue Room is nice however the configuration of the room meant the view we had of the bridge and opera house was behind us on-a very uncomfortable bench. For the price it’s not very special Arrived in the room .. a used shower cap on the back door . Dirty toilet ( poo) Next day ..morning tea cups not cleared !! Went to the Aster for drinks .. terrible place it should be avoided, such poor service. Food didn’t arrive. They knew it was my birthday. Had to chase up a plate of olives after 45 minutes and the other food didn’t arrive ..pretentious ..don’t bother So disappointed

房間很乾凈，前台寬敞服務很好 地理位置很不錯，離魚市很多展館很近，徒步基本可以涵蓋唐人街、悉尼歌劇來一圈citywalk，方便出門及購物。

我跟我媽媽兩個人去的 地理位置優越，直接Citywalk很舒適 本來擔心澳洲酒店服務，自己帶了床單，但是進房間後很驚喜，乾乾淨淨，設施齊全 房間挑高很高，很漂亮 所有工作人員服務都非常到位，很熱情很真誠，特別是門口的大叔，給了很多旅行小tips；大堂工作人員也幫忙搬行李照顧我們等車❤️ 所有人都對我們照顧有加 下次如果再去悉尼，一定回到這裏❤️

I had high expectations of Capella Sydney after staying multiple times at Capella Bangkok and being treated as though I were the most important person in the hotel, just like all of the other guest who stay there are. The attention to service detail at Sydney location unfortunately failed very short to meet my expectations. The booking process on the website was glitchy and the pricing was inconsistent, sometimes showing pricing including tax sometimes not without indication and only upon receiving confirmation via email from reservations was the price confirmed, which did not match the screenshots of the reservation when I placed the booking so I had to go back and forth with reservations via phone and email to simply confirm the accurate pricing for my stay. After creating an account to log on to their booking platform although the option of modifying the booking was offered, the feature did not work on the site, so you had to cancel the booking and book a new booking if you simply wanted to extend by 1 day. This is before I even arrived at the hotel. When I did arrive, it is of course, no small feat that the restoration of this historic building was carried out with the utmost respect for the architecture, from the flooring material to the fenestration and even the internal grand stair way was brilliantly retro-fitted with current code requirements for the handrail in a historically appropriate yet contemporary solution. The hotel does not have many floors, so I encourage anyone to take the stairs to experience the beauty of the restoration work. The recognition of the strong identity of the urban location and sense of place in Sydney’s CBD offers us a promise, an encounter, as the space of the possible. I wish I could say the same about the interior design. There was a real disconnect between the intent of the architecture and that of the interior design. The decoration at best seemed vague, and so for the guest experience, how could one of have a point of view about the effect of the design? The space of the expectant “possible” relationship I was expecting from the simple activity of stepping into Farrer Place’s south entryway marked Department of Agriculture, as local stories interpreting colonial history with ancestral elements of the Eora people by Waayni artist Judy Watso unfolded, or the sense of expansive freedom through the bronze Palazzo doors on Loftus Street into the latent quiet luxury of the grand stair was lost when I was met with the contrasting designs and colours of the lift lobby vestibule axminster carpet and that of the corridor carpet to the guest rooms, able to be seen in the same frame. Although an argument can be made about eclecticism and the use of curating a collection of exceptional vintage and contemporary objects this was not the case here, it read as a mismatched bric-à-brac (to borrow a Victorian word from the building time period that's true meaning in French means ”any old way” or ”at random”). This hap