Join us on Second Thursday at Crane Arts in celebrating the group exhibition The Voice of the People The Voice of the People is a juried open-call exhibition featuring 12 InLiquid Member Artists. This exhibition invited current InLiquid artist members to submit works that explore American Politics. Each artist brings a unique artistic perspective on the political choices we make, the systems we exist within, and portrayed security within our political environment.  Florence Weisz and Deanna Mclaughlin bring back pieces that were shown in InLiquid’s 2020 exhibition, Satirical Candidacy. Florence reworked her interactive collaged portraits of Joe Biden and Donald Trump to now feature Kamala Harris alongside Donald Trump. Deanna’s interactive Operation USA invites audience members to pull indicators from a large-scale replication of the classic board game Operation. Each piece is a symbol of a national crisis that persisted through our history, and is still relevant today. Both artists show the similarities between the political choices we made 4 years ago, and the ones we are faced with this year.  As audience members are interacting with Florence’s collage portraits, they’re facing a gallery wall in which Geoffrey Stein’s large scale collages of Kamala Harris and Donald Trump are sitting on either side of E. Sherman Haymans L’Amer-EEK! — an American flag pieced together with quotes by political figure heads that seemingly disintegrates at the ends. Geoffrey’s portraits are made of clippings from pivotal speeches, court documents, and images that defined each figurehead's career. Each artwork shows that a whole is greater than the sum of its parts, each small piece alone is easy to look over but standing together creates a clear picture.  Peter Sparber’s American Elegy series looms over audience members as they sit faced with portraits of our current presidential candidates. His five large-scale drawings display the myths of the American Political archetypes; Liberty, Property, Authority, Equality, and Insurrection. Seemingly hopeless, heartbroken, and hypocritical.  When facing Peter’s dominating imagery, Carol Taylor-Kearney’s flag series offers a glimpse of hope. Her large, colorful pieces are amalgamations of the American Flag and Tibetan Prayer flags. By overlaying the naturally symbolic colors of Tibetan flags and imagery of joy over the worn American flag, she is reimagining them as vessels of an optimistic future in which children are agents of nature, compassion, and peace.  As audience members make their way to the last section in the gallery, they are met with the byproducts of existing within the current American Political landscape. Imagery from protests, propaganda-style posters, and direct responses to the seemingly never-ending fight for reproductive rights. Each artist in this section is using their voice and artistic expression to cope with the hardships that we endure when faced with moments of oppression, opposition, and nation-wide hardships.  Kathleen Greco creates portraits in which a frayed American flag is seemingly unraveling around a female figure, hinting at the stronghold that the American government has over reproductive freedom. Printmaker and Activist, Rhodna Babb, creates reimagined propaganda-style posters that encourage viewers to think about the impact they have on their own future. Sandra Benhaim and Gary Grissom show composite images of protests and movements, a hopeful display of country-wide mobilization at times of distress. Dolores Poacelli’s piece is a direct reference to voices collecting under one message - the imagery indicative of viewing swaths of protest signs when looking over a crowd. Carole Loeffler shows us the voices of the unheard, with embroidered messages from women imagined.  The InLiquid Gallery is located within the Crane Arts Building, which is wheelchair accessible. There is limited accessible parking at the front of the building and a ramp leading to the main entrance. The main building door is not automated. Two all-gender bathrooms with multiple stalls are available for use — one with urinals, one without, and both with 1–2 wheelchair-accessible stall(s).

Information Source: INLIQUID | eventbrite

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賓夕法尼亞大學考古學及古人類學博物館

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werduy

很好。關於死者的物品非常多。
美洲原住民的展覽可能會更好。
也許對你所屬的部落做更多的事情
多重土地確認？那會
比對你的空洞的話表現出更多的尊重
牆壁。

費城藝術博物館

特展展廳

poohwubear

費城曾經是美國的首都,所以城市周圍有很多歷史,博物館,紀念碑和遺址。費城藝術博物館擁有一系列漂亮的展品。我下班後的一個週五晚上參觀了博物館,因爲博物館的入場是免費的週五晚上(按你所希望的支付)。我確實支付了他們在車庫的停車費,只有5美元。

國家獨立歷史公園

歷史建築

palettes_ny

感覺費城的市中心的景點真的很優秀，自由鍾附近這一片古迹統一歸National Park負責管理，在自由鐘的對面便是一個大型的遊客中心，在這裏可以諮詢到費城的旅遊攻略，這邊的工作人員和志願者也都非常熱情的幫忙給旅遊建議和回答諮詢問題。在這邊也有個小型的紀念品商店，可以買到冰箱貼、本子、明信片等相關的費城紀念品。遊客中心中還設有展覽講解，雖然相比博物館會比較迷你袖珍，但是依舊不影響這邊的遊客數量，如果是自駕前來，獨立宮遊客中心的地下還設有停車場可以供大家停車。費城的市中心雖然停車不太方便，停車位也不是很好找，推薦大家來遊客中心的地下停車場來停車。如果是旺季前來，獨立宮的参觀門票是需要先來遊客中心申請領取的，不過不知道是不是疫情的緣故，前來的時候並不需要拿票，直接進入参觀就可

美國獨立紀念館

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美國歷史上的偉大篇章。您可以輕鬆地在大廳裡漫步並了解有關獨立宣言的更多信息，度過一個信息豐富的下午。

自由鍾

自由鐘的名氣自然不用多說，感覺跟獨立宮一樣可以成為費城景點的必打卡之處，好像每一次來費城，也會儀式性的重複進行打卡。兩者距離也很近，步行過馬路就是，展廳免費開放給公眾参觀，不需要購買門票，獨立宮需要提前在官網進行預訂，1元的門票預訂費。自由鍾是有獨立的一個参觀展廳，入口需要過安檢。可以近距離遊覽，可走到自由鐘面前，之前是可以環繞360度，但這次前來只開放了180度，另外一半攔住了，不過這樣的好處便是可以解鎖一個背景無人的自由鍾。自由鍾原本是獨立宮的宮殿中，而後由於鐘體開裂，才被陳列於草坪上的紀念館中。這次在遊客中心的展示台還虛席到了另一知識點，1752年運到費城時便初現了裂縫，而後經過幾次修補還是有裂縫，於是便放棄了對其的修整。而1776年7月4日敲響的也正是這個鐘。自由鍾也經歷了幾次遷移，雖然每次搬遷的位置都不遠，但人們還是擔心會有更嚴重的裂縫，還給鍾裝上了可以測試百萬分之一米移動的微變量位移傳感器，測試其是否適合搬遷，每一次遊覽好像都會解鎖不一樣的小知識點，這大概也是旅遊的一大樂趣吧。

時間：	Nov 14, 2024 (UTC-5) 結束
地點：	InLiquid Gallery in the Crane Building

The Voice of the People - 2nd Thursday Reception | InLiquid Gallery in the Crane Building

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