Terroir/Territory: Memory, Identity, and Land through Visual Storytelling Join French-American journalist and author, Lindsey Tramuta in an intimate conversation with Armenian-Lebanese-French photojournalist and filmmaker, Astrig Agopian, for the Paris launch of Agopian's multimedia exhibition, Like There's No Tomorrow. Like There's No Tomorrow is the culmination of a three-year documentary photography project capturing the stories of ethnic Armenians from Nagorno-Karabakh, where soil and land become both symbols of resilience and repositories of memory amidst conflict. What we see through this body of work is a deep exploration of cultural identity, displacement, and memory within the context of a region that no longer exists and begs the questions of what anchors us when borders shift or we are forced to leave; and how can we protect the cultural roots that connect us to our histories and ways of life? As a way to connect us to the land that over 114,000 ethnic Armenian refugees hold on to as memory, we will be guided through a sensory experience tasting wines from the region. In terroir studies, soil is seen not only as a physical medium but as a vessel for memory, containing layers of meaning that trace back to past generations and cultural practices. This parallel illuminates how land and territory carry deep, enduring significance, acting as conduits for preserving culture and history in times of displacement. Just as terroir grants wine regions their unique story and sense of place, Like There’s No Tomorrow reflects the symbolic power of soil and landscape in the lives of displaced Armenians, using these natural elements to sustain cultural identity amidst upheaval. This event is organized and sponsored by ART WORKS Projects in partnership with PARAMAZ Atelier. In addition to the guided wine tasting, additional refreshments and light appetizers will be available for all guests. EXHIBITION HOURS Like There's No Tomorrow will be on view daily at PARAMAZ Atelier starting 3 - 9 March from 12:00 - 18:00. Please email info@artworksprojects.org if you would like to arrange a special tour and guided visit. SPEAKER BIOS (additional names to come) Astrig Agopian is a French-Lebanese-Armenian journalist, documentary photographer and filmmaker born in Marseille in 1998. She started her career as a TV reporter and video journalist, learning the ropes of journalism while covering Brexit, French politics and the Covid pandemic for French TV channels. Since 2021, she has documented the wars in Armenia, Nagorno-Karabakh, Ukraine, massive protests in Georgia and reported in France, Italy and Lebanon. Her work has been featured in dozens of international news outlets including Agence France-Presse (AFP), Arte, Radio Télévision Suisse (RTS), Le Figaro, France 24, Puls 4 Austria and others. Her photography focuses on the intersection between geopolitics, territory, marginality and memory. She documents identity struggles, human rights issues and longterm consequences of conflicts, mainly covering Europe, the South Caucasus and the Middle East. Astrig is the recipient of the 2023 Emerging Lens Fellowship through ART WORKS Projects which supported fieldwork and production of  Like There's No Tomorrow.  Lindsey Tramuta is a French American journalist and author based in Paris since 2006. She is a regular contributor to the New York Times, Eater, Condé Nast Traveler, Bloomberg, and other international publications, in which she covers the intersection of culture, travel, and business. Her first book, The New Paris: The People, Places & Ideas Fueling a Movement, looks at the evolving French capital while her second, The New Parisienne: The Women & Ideas Shaping Paris, deconstructs the myth of the Parisian woman and showcases more than forty women influencing Paris. The New Paris, an interview podcast Tramuta has hosted since 2017, is the continuation of both projects. ABOUT THE ORGANIZERS
ART WORKS Projects’ (AWP) mission is to use design and the arts to raise awareness of and educate the public about significant human rights issues. With offices in Chicago and The Hague, AWP provides visual advocacy tools which produce action on human rights crises at the grassroots, media, and policy levels. Conceptualized and created in conjunction with established documentary photographers, NGO's and human rights advocates, AWP's multimedia exhibitions, archives, films, and visual toolkits provide opportunities for large numbers of the general population to engage in ending major human rights violations. All proceeds from this event will go directly towards the continued advancement of Astrig's project through the Emerging Lens Fellowship program. Visit: www.artworksprojects.org to learn more. PARAMAZ is a French-Armenian-Lebanese leather atelier and café in the heart of Paris, founded by Hagop Markarian, a Lebanese-born Armenian leather craftsman who learned the craft at a very young age in his family’s leather and shoe atelier in Beirut. Paramaz is a space dedicated to preserving (cultural) heritage, where traditional leather working techniques merge with contemporary design. Beyond leatherwork, the space serves as a hub for creative exchange, hosting artists and creators, collaborations, and cultural encounters.

Information Source: ART WORKS Projects | eventbrite

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奢華飯店

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即日可用

人氣景點

遊樂園

夜景

mohadeseh motie

一定要預訂晚間演出，可惜我們錯過了。這絕對是一次不容錯過的體驗。

羅浮宮

博物館

Tan Soon Kit

羅浮宮一生至少值得參觀一次。

這並非因為你必須熱愛藝術，而是因為它能讓你了解西方歷史、文化和權力版圖。

巴黎瑰麗飯店

巴黎白馬莊園飯店

巴黎香格里拉飯店

凡爾賽宮

明日可用

歷史建築

匿名用戶

凡爾賽宮真是一場視覺饗宴，至今仍令我驚嘆不已。奇怪的是，我的電子票顯示的入場時間卻是9:30，而我明明買的是11:00的票。幸運的是，這並沒有阻止我進入凡爾賽宮，但這確實是個疏忽。

埃菲爾鐵塔

twtwong

想在規定時間內進入艾菲爾鐵塔，這真是個好選擇，尤其是在你無法直接在艾菲爾鐵塔買票的情況下。瑪麗&middot;羅莎今天是我們的導遊，她人非常友善，非常熱心，帶我們登上了艾菲爾鐵塔。

巴黎聖母院

清无梓境

🌟 巴黎漫步：一座城市的浪漫密碼，聖母院是多少人一知道巴黎，這個名字就知道了這個建築，在課本里讀到醜陋的敲鐘人更增加了生物巴黎聖母院的神祕感，巴黎必打卡的網紅地點。內部還沒有開放，還在維修中外部就非常環美壯觀。

🗼巴黎聖母院維修中，前來打卡的人仍是絡繹不絕，只為目睹真容。
九月份就重新開放了，可以線上預約

🌉夜色塞納河像徐徐展開的畫卷，美的無法言

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時間：	Mar 2, 2025 (UTC+1) 結束
地點：	PARAMAZ \| Maroquinier - Atelier - Café