市政歌劇院

創新劇院在它的建築時代,值得紀念瓦格納的第一次意大利表演。

原文

博洛尼亞的Teatro Comunale目前(2024年3月)因修復工作而關閉演出。然而,我們能夠在導遊(約40分鐘)期間參觀它。訪問內容豐富。從它我們瞭解到,這個項目是由建築師安東尼奧·加利·達·比比娜(1697-1774)設計的,他是建築師和劇院佈景設計師家族的第三代著名成員,在意大利工作了很長時間,奧地利和匈牙利。博洛尼亞特別雄偉的劇院於1763年開業(因此,在Bibbiena的聲譽達到頂峯的時刻),是該計劃有“鍾”的第一批劇院之一形狀 - 不同於之前影院的簡單“U”形狀–,目的是從側框中提高視覺。影院最近引入的另一個創新是混凝土而不是木材的階段建設,爲了更好地保護劇院免受火災。因此,舞台的建築具有巨大的形狀,即使由建築元素精緻。劇院的另一個特點是其壯觀的“風景塔”(這是在19世紀到20世紀之間逐漸建造的),即劇院舞台後面的部分,從那裏操作表演的機制。而且高大,它非常寬,比劇院本身更寬。在劇院的門廳裏,兩個低音浮雕分別描繪了音樂家理查德·瓦格納和朱塞佩·韋爾迪。人們記得瓦格納在博洛尼亞的歌劇代表特別重要:博洛尼亞的公民,渴望自己歌劇傳統的崛起,以及那些已經在米蘭、威尼斯、羅馬和那不勒斯建立的歌劇傳統,將這位創新的作曲家確定爲實現這一提升的手段。因此,意大利的第一次演出“洛亨格林”(1871年),“坦納烏瑟”(1872年),“幽靈船”(1877年)就在這裏舉行。

Innovative theater in its time for its architecture, memorable for the first Wagner's Italian performances.

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